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Based on the novels by Winston Graham, this made-for-TV movie follows the highly acclaimed 1970s TV series telling the story of Cornish mine owner, Captain Ross Poldark (John Bowe). Ten years have passed from the ending of the original series and, in this feature length edition, Poldark is now a Westminster MP. While Poldark is based in London, his wife Demelza (Mel Martin) and their son Jeremy (Ioan Gruffud) battle to keep the family's mining interests alive. When the Tory government decide to continue the War with France, it spells disaster for his arch rival George Warleggan. Will Poldark be able to take advantage of Warleggan's misfortune and protect the livelihood of the Cornish communities? Meanwhile romance and intrigue are in the air, as Poldark's daughter Clowance is torn between the love of an aristocratic young man and a mysterious stranger, Stephen Cravenson.
Dreaming of escape from his remote village in the Himalayan foothills, Rabindra entreats the gods to send him an English bride. When a saucy English dance troupe arrives on the run from a Bombay crime boss, Rabindra believes that his prayers have been answered. Except that they have no interest in marrying anyone. As the village begins to unravel in the presence of these scandalous foreigners, surprising secrets emerge from the depths of its past. A story of true love, coincidence, causality and sacrifice. In some ways it is a love-poem to a glorious, intriguing and sometimes frustrating culture still alive in the far corners of a great continent, but slowly fading to the onslaught of the technological age.
The Art of Screenplays is a working handbook for writers with stories to tell. Addressing the key issues of creativity and craft, its aim is to connect with our natural understanding of story, to demystify the screenwriter's art, and to enable fresh, original and authentic writing. Working on the central premise that drama reflects nature, and screenplays simply echo life as we know it, the areas Mukherjee discusses include: The Writer's eye. How to gather, ferment and communicate story. The art of action. Understanding structure through observation. Who am I? Exploring the levels of characters. Vertical structure. Say what you mean. Mean what you say. Speak the speech. The art of not writing dialogue.
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